
Q. How did you come up with the title of your book?
The title Fragments of Us comes from the idea that every piece in this book is a fragment—unsaid, unspoken, yet deeply felt by many. These fragments often remain suppressed, lingering in the quiet corners of our minds. Each poem reflects universal emotions, introspective questions, and the journey of self-discovery, creating a space where readers may find parts of their own experiences within its words.
Q. What inspired you to write this book?
What was once left unsaid felt the urge to be expressed. Many thoughts and emotions that often go unspoken found their way into words, shaping themselves into poetry—reflecting universal themes that we often see yet leave unspoken.
Q. Among all themes and topics, why did you choose this one in particular?
The silence behind words, the questions without answers—these often echo louder than spoken conversations. Internal monologues can be more intense than confronting someone face-to-face. These emotions and reflections need to be seen, heard, and felt. The aim is for readers to find a connection with at least one poem, to feel that their thoughts and emotions are acknowledged—that someone has given voice to what often goes unspoken.
Q. What personal experiences have shaped your writing the most?
Rather than specific events, it is the emotions and reflections that have shaped my writing—the weight of feeling void and unsaid, the intensity of internal conversations, and the quiet complexities of human emotions.
Q. What does being a published author mean to you, beyond seeing your words in print?
More than just a book, it’s a way to reach people, make them feel understood, and remind them they are not alone.
Q. What can we, as readers expect from this book?
A collection of thoughts and emotions that often go unspoken. These poems don’t follow a pattern but flow as reflections—some may comfort, some may question, and some may simply stay with you, long after you’ve read them.
Q. How do you expect your readers to use this book optimally?
There’s no right or wrong way to read this book. It’s meant to be felt rather than just read—whether in one sitting or in fragments, whenever a thought or emotion resonates. I hope readers find a connection, a pause, or even a moment of clarity within its pages.
コメント